QUOTE(OlivianWaleed @ Nov 24 2007, 06:30 AM)

So I've been taking time out at the University Library to read these books that were mentioned.
I read the the CALIPH'S HOUSE. Took about 10 hours and was entirely pleasurable easy read. What a beautiful insight into Morocoo culture, people, tradition and personalities. I loved it!
The Lemon Tree is completely lost at my library and I am sad about that.
I looked for "The Great War for Civilization" by Robert Fisk but the Library curisously doesn't carry it.
I checked out L’Étranger by Albert Camus to read.
I did read The Alchemist by Paulo Coelho in about four hours. It is going in my all time favorites forever and ever! It's so true to everything I know and believe to be true and hold dear to my heart.
I did look at the Political Science Syllubus but got overwhelmed for now with my own POLS classes and I did look up Joseph Lumbard to see if his books were at our library. lol. They aren't. 
I did read TAJAR DJAOUT "The Last summer of Reason" and it took about four hours. It wasn't as easy a read as The Alchemist or Caliph's House because it used elaborate desciptions and big words that I had to look up often in the dictionary. I did however enjoy it.
I also checked out the Cresent and look forward to reading that soon.
I am intrigued by the popularity of The Kite Runner. It's checked out till May at my Library and I saw it for sale at Starbucks today. That is the first time I have seen Starbucks selling a book! It is certainly on my list to read now.
Thank you everyone for your recommendations! Keep them coming. This is so nurturing for my soul. ((Sigh))
Your local resident book worm college gal,
Olivia
Olivia if you send me your address in pm I ll send you a book I collaborated on with an Algerian publisher about the colonial period in Algeria
TAHAR DJAOUTs last summer of reason is particularly sad because he died shortly after writing it. He was shot in the head by islamists and drug through the streets and his limbs torn off. He was a Kabilye ( the people of Algeria who have a byzantine, vandal, berber and some think Jewish background as well as berber) and he was not an atheist but he was strongly against islamic rule in Algeria and was many of the intellectuals murdered by radical islamists.
The director of Oran's theater was killed by islamists as well for promoting music and theatre. So were 50 female reporters, nuns,teachers, intellectuals, psychologists, writers ,poets.
Tahar Djaout (1954-1993) was an Algerian journalist, poet, and fiction writer. He was assassinated by the rebel Armed Islamic Group because of his support of secularism and opposition to what he considered fanaticism. He was attacked on May 26, 1993, as he was leaving his home in Bainem, Algeria. He died on June 2, after lying in a coma for a week. One of his attackers professed that he was murdered because he "wielded a fearsome pen that could have an effect on Islamic sectors." He was born in Azeffoun, in the relatively secular Kabylie region. After his death the BBC made a documentary about him entitled 'Shooting the Writer', introduced by Salman Rushdie
about last summer of reason
The Last Summer of Reason
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The Last Summer of Reason is a novel by Algerian writer Tahar Djaout. It was originally written and published in French. The English translation was produced by Marjolijn de Jagar, and published by Ruminator books, 2001. Foreword by Wole Soyinka. The novel was published posthumously.
[edit] Plot
Boualem Yekker is a bookseller in a country probably modelled on Algeria. His home is firmly in the grip of religious fundamentalists, but only recently: it was once a republic, but now it is a "Community in the Faith". Djaout presents readers with a terrifying world of religious fundamentalism comparable to Orwell's 1984, but substituting a religious ditatorship for a purely political one.
At first Yekker is only on the periphery of danger. He is "neither elegant nor talented", which puts him out of the spotlight: "what is persecuted above all, and more than people's opinions, is their ability to create and propagate beauty." Still, Yekker is a purveyor of these outrageous "idea- and beauty-filled objects" known as books, so he doesn't fit in too well in this new, retrograde society.
Business isn't exactly booming, of course. Touchingly Djaout describes Yekker's brief moments of hope when he sees people gazing in the shop window. But there is hardly a market for the sorts of books he has any longer. One acquaintance, Ali Elbouliga, still comes to while away time there. Otherwise, Yekker remains largely alone in his bookish world -- and the books ultimately prove almost as much a burden as a solace.
Family life also gets more complicated when his daughter turns on him. "The illness of fanaticism had attacked her." She is transformed, "covered with superior certainties".
Yekker tries to continue to live his life in the manner he is accustomed to, but there is no escape from the encroaching fanaticism. It crushes all opposition. Any semblance of rationality is done away with. Even weather forecasts are banned, as if these called some all-mighty's grand plan (and his power) into question. (What a pathetic god it must be they're protecting, if he can be threatened by mortals' barely educated guesses at tomorrow's weather; doesn't the fact that the meteorologists barely ever get it right instead reinforce the idea of divine omnipotence?)
Imagination is dulled, "the world has become aphasic, opaque, and sullen; it is wearing mourning clothes." Books "constitute the safest refuge against this world of horror" all around Yekker, but the books are also a danger to him. Eventually they must make place for "the one, the irremovable Book of resigned certainty."
The threats against Yekker mount. What is, at first, almost harmless child's play intensifies to very real danger. Might conquers right:
They have understood the danger in words, all the words they cannot manage to domesticate and anesthetize. For words, put end to end, bring doubt and change. Words above all must not conceive of the utopia of another form of truth, of unsuspected paths, of another place of thought.
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